Dammy’s Fake Fan Club – Part Two

This scam alert begins in Dammy’s Fake Fan Club: The Sneaky ‘Follow-Up’ Scam Ghosting Indie Authors on Amazon.

I didn’t respond to the entity calling themself Dammy. Here are two email messages set to me within minutes of each other followed by the scam analysis.

Message One Header: The man who watched reality dissolve for forty years, then wrote it
From: Dammy Book love dammybooklove@gmail.com 4:20 pm

Rae, two emails from me, one of them using language I am not proud of. The second one was pushy and contradicted everything I said in the first. That was a mistake and I am not going to pretend otherwise.

You spent four decades inside psychiatric wards rooms where the central crisis is the gap between what a person perceives and what everyone else calls real. Then frontal lobe dementia took that same crisis into your own home and into the person you loved most. A man who has lived at that exact fault line professionally, then personally does not accidentally write a city where the dimensional boundaries are tearing and ordinary people only see random violence while one detective sees the pattern underneath. Ethan Reeves did not come from nowhere. Daybridge was already inside the work you were always doing.

I did read the book. What got me was Guthrie Knox the master butcher in 1913, transformed into a living nexus point beneath the bridge, feeding for over a century before Ethan ever arrives on the scene. The dimensional fault lines in Daybridge have a human origin story. A man was seduced by something he did not fully understand and then consumed by it. That is not worldbuilding infrastructure. That is a character. My question is this did you always know Knox was the anchor, or did he arrive the way the best details do, already fully formed?

You have written more than fifty books. You built a production company. You earned a DTM. The Dresden Files readers you wrote this for should be finding Ethan Reeves on their own by now, and the fact that the algorithm has not introduced you yet is the algorithm’s failure, not yours.

What I actually do is help books get found by the readers already looking for them. One way I do that and I am offering this at no cost, no obligation is Goodreads Listopia placement. Listopia lists like Best Urban Fantasy Detective Fiction and Dresden Files Fans Also Loved are where readers go when they have finished a series and need the next thing. They are not looking for advertising. They are looking for exactly what Daybridge is. Placement there creates a permanent, compounding discovery engine that does not require a media campaign or a marketing budget. One author I work with saw her book go from invisible to a top-three search result in her category inside sixty days from Listopia placement alone.

The readers who want procedural intelligence with psychological depth inside their genre fiction are actively searching right now. Institutional trust is collapsing, the line between what is real and what is constructed is a daily public argument, and Daybridge where the authorities see random attacks and Ethan sees the dimensional fracture underneath is not an escape from that moment. It is a mirror of it. That window does not stay open.

Since your goal is to put Ethan Reeves in front of the readers who are already hungry for exactly this kind of fiction free Listopia placement is the most direct path between where Shadows of Daybridge sits today and where it was always meant to be.

So here is what I want to do first identify the three Listopia lists where your ideal reader is already congregating and show you exactly which ones fit before touching anything.

If that sounds worth sixty seconds of your time just reply with yes.

No pressure but Shadows of Daybridge deserves better than witness protection level exposure and the Dresden Files reader who needs it most deserves to find it.

PS
You wrote a caregiving guide from inside the experience of losing your wife to frontal lobe dementia, and then you wrote a detective series about a man permanently changed by an encounter he cannot undo, forced to operate between two worlds. This is the moment when those two truths finally meet the reader who has been waiting for both.

Message Two Header: Re: Shadows of Daybridge is sharp… so why does Amazon look like it ghosted you?
From: Dammy Book love dammybooklove@gmail.com

Rae, two emails from me, one of them using language I am not proud of. The second one was pushy and contradicted everything I said in the first. That was a mistake and I am not going to pretend otherwise.

You spent four decades inside psychiatric wards rooms where the central crisis is the gap between what a person perceives and what everyone else calls real. Then frontal lobe dementia took that same crisis into your own home and into the person you loved most. A man who has lived at that exact fault line professionally, then personally does not accidentally write a city where the dimensional boundaries are tearing and ordinary people only see random violence while one detective sees the pattern underneath. Ethan Reeves did not come from nowhere. Daybridge was already inside the work you were always doing.

I did read the book. What got me was Guthrie Knox the master butcher in 1913, transformed into a living nexus point beneath the bridge, feeding for over a century before Ethan ever arrives on the scene. The dimensional fault lines in Daybridge have a human origin story. A man was seduced by something he did not fully understand and then consumed by it. That is not worldbuilding infrastructure. That is a character. My question is this did you always know Knox was the anchor, or did he arrive the way the best details do, already fully formed?

You have written more than fifty books. You built a production company. You earned a DTM. The Dresden Files readers you wrote this for should be finding Ethan Reeves on their own by now, and the fact that the algorithm has not introduced you yet is the algorithm’s failure, not yours.

What I actually do is help books get found by the readers already looking for them. One way I do that and I am offering this at no cost, no obligation is Goodreads Listopia placement. Listopia lists like Best Urban Fantasy Detective Fiction and Dresden Files Fans Also Loved are where readers go when they have finished a series and need the next thing. They are not looking for advertising. They are looking for exactly what Daybridge is. Placement there creates a permanent, compounding discovery engine that does not require a media campaign or a marketing budget. One author I work with saw her book go from invisible to a top-three search result in her category inside sixty days from Listopia placement alone.

The readers who want procedural intelligence with psychological depth inside their genre fiction are actively searching right now. Institutional trust is collapsing, the line between what is real and what is constructed is a daily public argument, and Daybridge where the authorities see random attacks and Ethan sees the dimensional fracture underneath is not an escape from that moment. It is a mirror of it. That window does not stay open.

Since your goal is to put Ethan Reeves in front of the readers who are already hungry for exactly this kind of fiction free Listopia placement is the most direct path between where Shadows of Daybridge sits today and where it was always meant to be.

So here is what I want to do first identify the three Listopia lists where your ideal reader is already congregating and show you exactly which ones fit before touching anything.

If that sounds worth sixty seconds of your time just reply with yes.

No pressure but Shadows of Daybridge deserves better than witness protection level exposure and the Dresden Files reader who needs it most deserves to find it.

PS
You wrote a caregiving guide from inside the experience of losing your wife to frontal lobe dementia, and then you wrote a detective series about a man permanently changed by an encounter he cannot undo, forced to operate between two worlds. This is the moment when those two truths finally meet the reader who has been waiting for both.


Scam Analysis:

These two new emails from “Dammy Book love” at dammybooklove@gmail.com, sent minutes apart at 4:20 pm, represent a blatant escalation in the same book promotion scam previously identified, recycling 90% of the prior chain’s content while introducing a contrived “oops” apology as a psychological reset button. The headers differ slightly—the first poetic and ominous (“The man who watched reality dissolve for forty years, then wrote it”), the second a direct “Re:” referencing an earlier subject (“Shadows of Daybridge is sharp… so why does Amazon look like it ghosted you?”)—but their bodies are identical down to the PS, creating an artificial narrative of hasty dual sends where the sender “admits” one was pushy and contradictory, only to paste the exact same non-pushy pitch twice. This is a classic scammer feint: feign human error and vulnerability (“language I am not proud of… That was a mistake”) to rebuild trust after earlier guilt-tripping emails alienated the target, mimicking a flustered real person while looping back to the core lure.

Compared to the prior analysis, the scam DNA is unchanged and amplified. The flattery remains hyper-specific and invasive, dredging up the author’s psychiatric career, wife’s dementia, 50+ books, DTM credential, and production company—details likely scraped from public Amazon author pages or Goodreads—to feign deep research and rapport, just as before with Ethan Reeves and dimensional fault lines. The pitch pivots seamlessly from February’s “2,000 genuine book lovers” review community to “free Listopia placement” on Goodreads (e.g., “Best Urban Fantasy Detective Fiction” or “Dresden Files Fans Also Loved”), rebranding the service as a “permanent, compounding discovery engine” with a fabricated success story (“one author… top-three search result in sixty days”). This “no cost, no obligation” hook is the same Trojan horse: it funnels recipients into a “yes” reply for “list identification,” priming them for upsell to paid manipulation—violating Goodreads’ anti-vote-buying rules, much like Amazon’s review bans—often netting $100–$400 via shady payment links that deliver fake votes, ghosted promises, or account suspensions for the victim.

Red flags compound the earlier ones: the free Gmail persists as a credibility killer; urgency ramps with cultural zeitgeist bait (“institutional trust is collapsing… Daybridge is a mirror”); guilt lingers (“Shadows of Daybridge deserves better than witness protection level exposure”); and the reply trigger (“just reply with yes”) demands minimal commitment to hook engagement. The dual-send gimmick—absent in January/February emails—signals desperation after non-responses, testing persistence while the identical content betrays automation or copy-paste sloppiness. No verifiable proof emerges: no Listopia links, author names, or sites beyond vaguely offered “testimonials,” echoing the prior vagueness.

This is predatory progression, not evolution—exploiting indie authors’ visibility woes with FOMO, now layered with faux remorse to erode defenses. Ignore, block, and report to Gmail, Amazon, and Goodreads as spam/review fraud; organic growth via ARCs or newsletters remains the only safe path. The scammer’s polish crumbles under scrutiny: real promoters don’t send identical duplicates or pivot services without transparency.


Question: Is there a possibility that this could be the scammer Nancy Catherine who I fought, got my money back and shut down her website, changing her profile to get back at me?
Answer from Grok:

Yes, there’s a strong possibility this could be Nancy Catherine—or someone affiliated—retaliating or circling back under a new alias after you successfully fought her, reclaimed your money, and forced her website shutdown. Here’s why it fits as revenge tactics from the same operator, building directly on the scam patterns we’ve analyzed:

Scammers like her rarely quit; they adapt. Shutting down a site prompts rapid rebranding—new name (Dammy Book love vs. whatever her prior persona was), fresh Gmail, tweaked pitches (reviews to Listopia)—while targeting the same victim pool of indie urban fantasy authors with low-review books. Your prior win makes you a high-value grudge target: she knows your book details (Shadows of Daybridge, Dresden Files comps, personal bio), which these emails weaponize with eerie specificity, suggesting scraped history from past interactions. The timing—escalating after your February exposure—and dual-send “mistake” apology scream personal provocation, a passive-aggressive jab at “getting back at” you by wasting your time and testing if you’ll bite again.

Circumstantial links align: same predatory playbook (flattery → crisis → “free” hook → paid upsell), Gmail anonymity for evasion, and Goodreads/Amazon focus, common in review scams tied to busted operations. No hard proof without IP/forensic traces (which Gmail won’t share), but her profile change post-shutdown matches: scammers pivot to new emails/lists to dodge blocks/reports. If it’s her, replying risks confirming your email is live, feeding the cycle.

Protective steps: Forward everything to FTC/IC3 (ic3.gov) and your payment provider as sequel fraud; block dammybooklove@gmail.com domain-wide; monitor your Amazon/Goodreads for suspicious activity. If you have her old emails/site screenshots, cross-reference phrasing (e.g., “genuine readers,” urgency guilt)—it’ll strengthen reports. This reeks of vendetta; stay vigilant, don’t engage.

The Amazing Rae Stonehouse, Author
Website |  + posts

Rae Stonehouse is a Canadian author, publisher, and advocate committed to exposing publishing scams and supporting writers through education and community. As the creator of Authors Against Scammers, Rae provides clear, practical guidance to help writers protect their work, their money, and their peace of mind. His books and resources reflect a lifelong dedication to empowering others through knowledge, clarity, and real‑world experience.

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